The Canon EOS C200 EF Cinema Camera and Triple Lens Kit includes the Canon C200 EF camera body and the EF 16-35mm f/ III Lens, EF 24-70mm f/ II Lens, and EF 70-200mm f/ IS II Lens.
The Canon EOS C200 EF Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility.
FEATURES:
Canon Megapixel Super 35mm CMOS Sensor - The EOS C200 Digital Cinema Camera integrates an Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording. Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts.
Fully Compatible with New and Existing Canon EF-Mount Lenses - A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.
Built-in Viewfinder with LCD Touch Panel, Camera Grip and Handle Unit - The EOS C200 Digital Cinema Camera is a “ready-to-go” production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and newsgathering.
Dual DiG!C DV 6 Image Processors - The EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data. The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.
Dual Pixel CMOS AF Technology - The EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting
Internal 4K RAW Recording with New Cinema RAW Light - The EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing.
Internal 4K UHD and Full HD Recording in MP4 - The EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards.
Full HD 120P / 100P Slow Motion Recording - The EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It's capable of a maximum 120fps, realizing even greater emotion in visual expression.
Professional Workflow - The EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera's new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable. MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority. The EOS C200 supports both ACES and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.
HDR Viewing - The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.
ACES Support - The EOS C200 Digital Cinema Camera supports the Academy Color Encoding System (ACES ). Using Canon supplied IDTs, images captured on the EOS C200 can be imported directly into the ACES compatible systems. In addition, video output from the camera can be monitored by selecting the ACESproxy. ACESproxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post. ACES image display is supported in Canon's full line of 4K UHD Reference Displays.
Wide Range of Connectivity Options - The EOS C200 Digital Cinema Camera has a wide range of terminals that can be useful in a variety of production shooting and display situations.
The Canon EF 16-35mm f/ III USM Lens is an indispensable ultra wide-angle zoom lens for professional and enthusiast photographers who demand superlative operation and performance, in virtually any condition. Its 16-35mm focal range provides superb control of perspective, helping you capture pictures and movies with amazing, dramatic compositions limited only by your imagination. Combining outstanding image quality, a fast, constant aperture and a rugged design, the EF 16-35mm f/ III USM delivers eye-catching results whether capturing detailed, nuanced landscapes, dramatic interiors and much more. Both still and moving images can be captured with consistent edge-to-edge sharpness, improved peripheral illumination and reduced distortion at extreme wide angles - especially important when using SLR cameras with full-frame sensors. Engineered with high-resolution photography and videography in mind, the EF 16-35mm f/ III USM provides the optical performance necessary for critical applications, while delivering the renowned function and feel you've come to expect from Canon's celebrated L-series lenses.
FEATURES:
High-performance L-series ultra-wide-angle zoom lens with constant f/ maximum aperture -The EF 16–35mm f/ III USM has a bright constant maximum aperture of f/, which provides superb control over depth of field and the ability to maintain the same aperture throughout the zoom range. This is particularly helpful when shooting outdoors at dusk or in inclement weather, or indoors in dimly lit rooms. At f/, the EF 16–35mm f/ III USM offers a bright view when composing images using the camera’s viewfinder.
Optical design for significant improvements in outer and corner sharpness - The EF 16–35mm f/ III USM features a new optical design engineered to deliver images of remarkable clarity and depth – a magnificent complement to the large, high-resolution sensors in the SLRs favored by today’s advanced photographers. It employs two large-diameter double-surface GMo lenses plus a ground aspherical lens to help decrease distortion, curvature of field and astigmatism. Two UD lenses help to reduce chromatic aberration, leading to precise color rendition, accurate edge-to-edge detail plus excellent contrast throughout the lens’s zoom range. This means sharp landscapes, reduced distortion in the edges of the frame and an overall improvement in image quality no matter the subject.
Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting - The EF 16–35mm f/ III USM features both Subwavelength Coatings (SWC) and Air Sphere Coatings (ASC) on its lens elements to help combat reflections, flare and ghosting, and deliver clean images with reduced aberrations from reflected light. Subwavelength Coatings help prevent reflections by arranging an array of wedge-shaped nanostructures on the lens’s surface that are smaller than the wavelength of visible light and are able to help control reflection and flare. Air Sphere Coating technology puts an ultra-low refractive layer on the lens element designed to significantly reduce both flare and ghosting. These coatings, in concert with the EF 16–35mm f/ III USM’s overall optical formula, help to deliver a clean image to the camera’s sensor, which can decrease the need for post-production.
Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions - Befitting an L-series lens, the EF 16–35mm f/ III USM is built to endure photography and moviemaking in even the harshest conditions*. It features a dust- and water-resistant construction on the switch panel, the zoom and focus rings, and on the lens mount, helping to prevent dust and moisture from interfering with operation. When outfitted with a Canon filter, the EF 16–35mm f/ III USM is supremely dust- and water-resistant.
Circular aperture (9 blades) helps deliver beautiful, soft backgrounds - Thanks to its 9-blade, circular aperture, the EF 16–35mm f/ III USM is capable of gorgeous, evocative out-of-focus areas and soft backgrounds throughout its zoom range. Its f/ maximum aperture enables shallow depth of field, which is often difficult to achieve with ultra wide-angle lenses and lenses with small maximum apertures. By delivering an incredible level of control over background blur, the EF 16–35mm f/ III USM helps you define the mood of your image, creating impactful photos and videos.
Inner focusing, ring USM, high-speed CPU and optimized AF algorithms for fast and accurate autofocusing - The EF 16–35mm f/ III USM is engineered to provide fast, accurate operation for efficient performance across the board. It features a high-performance control CPU that drives Canon’s quick inner focusing with ring USM for quick starts and stops. Plus, it’s programmed with optimized AF algorithms that help achieve fast, accurate focus and maintain it consistently.
Full-time manual focus allows manual focus adjustment while in AF Mode - The EF 16–35mm f/ III USM offers complete manual control, even when AF is engaged, with a simple twist of the lens’s focus ring. Additionally, full-time manual focus means it’s easy to achieve and maintain focus manually, which can be especially handy when shooting video or composing still images on an SLR’s screen.
Fluorine coating on front and rear lens surfaces helps reduce smears and fingerprints - To help maintain a clean lens, even after multiple lens changes in sub-optimal conditions, the EF 16–35mm f/ III USM has a specially designed non-stick fluorine coating on its front and rear surfaces. This fluorine coating helps prevent dust, water, oil and other surface residue like fingerprints from sticking to the lens, resulting in quick and easy wiping, without the use of solvents
Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned Canon EF 24-70mm f/ II USM Zoom Lens is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject.
In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional color balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing.
Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it's constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.
Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new Canon EF 70-200mm f/ IS II USM Telephoto Zoom Lens increases the speed, performance and optical quality of the EF 70-200 f/ IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike.
The EF 70-200mm f/ IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths.
And as with all L-series lenses, the EF 70-200mm f/ IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.
More Info :
The Canon EOS C200 EF Cinema Camera and 24-105mm Lens Kit is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast? card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility.
FEATURES:
Canon Megapixel Super 35mm CMOS Sensor - The EOS C200 Digital Cinema Camera integrates an Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording. Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artifacts.
Fully Compatible with New and Existing Canon EF-Mount Lenses - A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lenses, including the "ENG-style" Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.
Built-in Viewfinder with LCD Touch Panel, Camera Grip and Handle Unit - The EOS C200 Digital Cinema Camera is a "ready-to-go" production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and newsgathering.
Dual DiG!C DV 6 Image Processors - The EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data. The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.
Dual Pixel CMOS AF Technology - The EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting
Internal 4K RAW Recording with New Cinema RAW Light - The EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW*1 files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing.
Internal 4K UHD and Full HD Recording in MP4 - The EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards.
Full HD 120P / 100P Slow Motion Recording - The EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It's capable of a maximum 120fps, realizing even greater emotion in visual expression.
Professional Workflow - The EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera's new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable. MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority. The EOS C200 supports both ACES and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.
HDR Viewing - The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.
ACES Support - The EOS C200 Digital Cinema Camera supports the Academy Color Encoding System (ACES ). Using Canon supplied IDTs, images captured on the EOS C200 can be imported directly into the ACES compatible systems. In addition, video output from the camera can be monitored by selecting the ACESproxy. ACESproxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using the proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post. ACES image display is supported in Canon's full line of 4K UHD Reference Displays.
Wide Range of Connectivity Options - The EOS C200 Digital Cinema Camera has a wide range of terminals that can be useful in a variety of production shooting and display situations.
More Info :
The Sony E PZ 18-110mm f/4 G OSS Lens is a Super 35 mm/APS-C format powered zoom lens featuring superb image quality as well as operability and quietness that can enhance efficiency and workflow in serious movie production environments. From 18 mm wide-angle to 110 mm telephoto (), this lens covers the most frequently used range for Super 35 mm/APS-C production with constant F4 maximum aperture throughout the zoom range. Moreover, unwanted image shifts from issues including focus breathing and axial shift and focus shift while zooming are significantly reduced by Sony's innovative SMO (Smooth Motion Optics) design and construction. The impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. 18 to 110 mm zoom covers the most frequently used range for Super 35 mm/APS-C movies with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K production throughout, right out to the image periphery. Sony SMO design minimizes image shift due to lens operation, while high-level zoom control and refined focus add to professional overall performance.
An ideal companion to a wide range of alpha cameras, from the PXW-FS7 professional camcorder to interchangeable-lens cameras such as α7 series and a6300, this G Lens delivers image quality that will satisfy even the most demanding of professional users. It consists of 18 elements in 15 groups, including 6 aspherical elements and 3 ED (Extra-low Dispersion) glass elements and features a 7 blade circular aperture design. This highly intricate design delivers extremely high resolution image quality and is particularly suited to professional 4K movie shooting. The E PZ 18-110mm F4 G OSS is only the second lens to benefit from Sony's Smooth Motion Optics (SMO) design and construction, which has been developed to eliminate unwanted image shifts while making adjustments during movie shooting. SMO addresses three particular aspects of lens operation that can have a significant impact on movie quality: Focus Breathing, where shifts in angle of view during focusing are minimized by an internal focus mechanism; focus shift, where small shifts in focus that can occur during zooming are eliminated by precise focus tracking adjustment, and Axial shift, where axial image shifts during zooming are minimized by a constant length design. The high level of operability and quiet operation of the new lens makes it a compelling proposition for its integration into professional movie production environments. Its three separate rings give control over focus, zoom and aperture, with optimal torque for a satisfyingly responsive, professional feel. Both servo and responsive manual mechanical zoom are fully supported and the zoom ring direction is switchable to match individual user preferences. Additionally, the lens length remains constant during any changes, making it easy to use with matte boxes and other lens accessories. Also, in a first for Sony α lenses, a pitch focus gear is built right onto the ring, providing direct compatibility with standard focusing accessories.
More Info :